Published October 16, 2013 | Version v1
Journal article Open

Conveying Movement in Music and Prosody

  • 1. University of Chicago

Description

We investigated whether acoustic variation of musical properties can analogically convey descriptive information about an object. Specifically, we tested whether information from the temporal structure in music interacts with perception of a visual image to form an analog perceptual representation as a natural part of music perception. In Experiment 1, listeners heard music with an accelerating or decelerating temporal pattern, and then saw a picture of a still or moving object and decided whether it was animate or inanimate – a task unrelated to the patterning of the music. Object classification was faster when musical motion matched visually depicted motion. In Experiment 2, participants heard spoken sentences that were accompanied by accelerating or decelerating music, and then were presented with a picture of a still or moving object. When motion information in the music matched motion information in the picture, participants were similarly faster to respond. Fast and slow temporal patterns without acceleration and deceleration, however, did not make participants faster when they saw a picture depicting congruent motion information (Experiment 3), suggesting that understanding temporal structure information in music may depend on specific metaphors about motion in music. Taken together, these results suggest that visuo-spatial referential information can be analogically conveyed and represented by music and can be integrated with speech or influence the understanding of speech.

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Additional details

Identifiers

DOI
10.1371/journal.pone.0076744
Other
oai:uchicago.tind.io:10675

Funding

Andrew W. Mellon Foundation
New Directions Fellowship
University of Chicago
Social Sciences Division

UChicago Information

Division(s)
Arts & Humanities Division, Social Sciences Division
Department(s)
Music, Psychology